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He entered the nascent comics industry in the 1930s, drawing various comics features under different pen names, including Jack Curtiss, before ultimately settling on Jack Kirby.
In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics, predecessor of Marvel Comics.
"Whitechapel Road on a Saturday Night" - An article describing the scene in the Whitechapel market one Saturday night, the women shopping, the quack doctors peddling their wares, a waxworks and a freakshow.
The cutting is dated 1862 but the source isn't identified.
Without a spoiler alert, she does virtually everything in this film you could to get killed or maimed and the writer/director finds ways for her to fail yet survive.
There's a lot of grit here, from hard parties to transactional activities between employer and employee, and then client and counsel.
The Lee–Kirby titles garnered high sales and critical acclaim, but in 1970, feeling he had been treated unfairly, Kirby left the company for rival DC.
"An Autumn Evening in Whitechapel" - An article from Littell's Living Age (Nov.
3, 1888) describing one reporter's experience walking around the darkened streets of Whitechapel in the midst of the Ripper murders.
All in all, he’s got a lot on his villainous plate, but the joke is on him: Leto’s steely yet revved performance is just getting started when he’s relegated to the sidelines, where no good Joker should ever be left to laugh alone. Mark Hamill, “Batman, The Animated Series” In the far-off days of 1992, it seemed an utterly wack idea: Let’s cast the earnest and slightly mopey Luke Skywalker as …
the most gleefully high-on-himself villain in the history of villainy.But Hamill, to a degree no one could have predicted, got in touch with his inner deranged demon-clown.